FICHIER GUITAR PRO v3.00:ˆ'j Caprice arabeFrancisco TARREGAAntoine de PEYRET)(6e en Ré (D). Nombreuses attaques butées.-nombreux changements de tempo Evitez le jeu mécanique .>=J'ai tenté de régler la vitesse sur celle ŕ laquelle le joue $#David Russel (intégrale de Tarrega)87A lot of tempo's changes . The speed is exactly copied %$from David Russel (complete Tarrega)4       ˙˙˙˙                ˙˙˙˙                ˙˙˙˙                ˙˙˙˙       A' Andantino˙!en4/4˙$dolce˙ acceler.˙ a tempo˙ a tempo˙ atempo˙ ritorno˙guitare classique@;72-&˙˙˙˙˙ ˙ 6e en Ré""" 4˙˙˙˙˙˙˙b@(1@  2@( 1@  4@( 2@  2@(1@ 4@(2@ 4 @ ˙˙˙˙˙˙˙˙4@ B III8""#4  ˙1/2II@<"""" ˙ 6e en Ré""" 4˙˙˙˙˙˙˙b@(1@  2@( 1@  4@( 2@  2@(1@ 4@(2@ 4 @ ˙˙˙˙˙˙˙˙4@  B III@8""#4˙˙˙˙˙˙˙. ˙1/2II<""""i˙˙˙˙˙˙˙F*1m 4i 1m 4  3......4 "2  $1i  $2m  $4 $2  $1  $2 $1i $4m  $2 $1 $4  $2 1i m 4 1  4 2 1 ˙--2˙˙˙˙˙˙˙0 1 ˙˙˙˙˙˙˙2(3-2-48000!0001/2 B!000(arpege personnel) @8   ˙˙˙˙˙˙˙2 8000 0001 1-1000 2   1a (dolce mf)˙˙˙˙˙˙˙4B902-3 mi(001-4 p-aD) 2-3 mi(003D )˙4 1@ 2D()4@(2@ 1@ 2@ 4@  1 aB1 2-3(001-4D1 (0 3D !4 1@ 2D(!4@(2@ 1@ 2@ 4@  1aB) 2-3(001-4D! 2-3(001!3  4  1--3---D !@  1@  3@  1/2 B XB0 4p(    3@  1D! ]00 0 1!2@( 4@  2@  4$  !1 2  4  (3)1/2 B VII ]"!  2-4$!   314 (2 1$(!2 4 (1  2"!!˙3-4004 poco cresc. !  B V#2˙˙˙˙˙˙˙8  3 @ 4 ]@ 4@: 3@0 1˙˙˙˙˙˙˙4P(!3@( 1@ 1-3`  B3P !3-1`  2˙˙˙˙˙˙˙8$( !˙1  2˙˙˙˙˙˙˙8@( 1@  4˙˙˙˙˙˙˙<@( 2@  2@( 1@  4˙˙˙˙˙˙˙:D(#˙1@  2@( 1@  4@( 2@  2@(1@ 4@(2@ 4 @ 4˙˙˙˙˙˙˙. 3 2$ !1 a tempo˙˙˙˙˙˙˙0 (001 3-4(001 04000 2-3000 3-4(001 (001 4000 2-3000 (00 (00103 B III - - - - - - - - - - - - - - - - - - -  0001 t3-480002i˙˙˙˙˙˙˙4! 4-3 m-a`002-- - - - - - -! `002!32 - - - - - - - - - - - - - - - - - - - - - - - - 3 4 3$(!4 (3 2  3-- - - - - - - - "(!3 ( 2-4!  2-4--]  [ B V!4  - - - - - - - - - - - - -]@ 2P(!4@(2@ @ 4  4D)!˙1-3  2 !13  [ B V - - - - - - - -]$ !3   2-4-2"(! (  3 ]  [ B III ]D(!@(@ 3!˙˙˙˙˙˙˙˙1 2-3  ˙˙˙˙˙˙˙˙˙˙˙˙2 3 4 @ ˙˙˙˙˙˙˙˙˙˙˙˙4- (1 3 2 ˙˙˙˙2   [BIII------`00! `002! 3 4 3- 4-3$(! ( 2  3 "(  ( ! ------------  !]  [BV!4 (3 ((!2 4 2@ 1/2BV@(4@(2@ D!˙!˙20     0  ]D !˙4˙˙˙˙˙˙˙H@( 1@ 3 @ 3 2( !˙1 1 2..............2 @   1@  4@  ˙˙˙˙˙˙˙P!˙4@(1@ 3--- (3 2(0 1 !˙1 1 1 @ 4@  molto cresc.@ @ ˙˙˙˙˙˙˙R@  1 2 3 4  1 2˙˙˙˙˙˙˙V 3 4  1 2 3 4 1 1 2 3 $4 $...1 $2 $3 $4  [ B VII˙˙˙˙˙˙˙4"! 003-4$!  00$ !@ 3@  4@  3 4 3H( !@( @  4  @ 3@  B(!@( @!40# 3  -----00]!3   2 4 2$(! (  1 3   {1/2BVII i"!  3!  i ] [B II!3  2((!4 (2  3 ]  4$! [1/2BII0! ]0!˙4-----4 (   3@( 1@ 2 3  4"!  |1/2 VII003$!  00$ !@ 3@  4@  H( !@( @    "!---------------------------------@ @  B(!@( @ 0#   ]  1i˙˙˙˙˙˙˙B(4  1m(4  2i 1m 4i  2m@   B VII (4aD!   H! 3  !˙4@(2@  2@  4  1  @ 2 $2$(!ţ$1 $1---- $4  $4 ( $2  $2-- ( $2 $2 ($1 $1-- $3  $3( $1 $1-- $4  $4--( $3  $3( $2 $2($1 $1--- $4  atempo˙˙˙˙˙˙˙4"! |1/2VII003$!  $#-----------------------------------00$  !@ @  @  H( !@  @    @ %$------------------------------------@  B(!@( @ 0#   000------!  ] 2$( 4 ( 2 1 3  4"! [1/2VII !  ] [II ˙˙˙˙  ((! (    $! [1/2II0  --]0!˙4-- ( 4  3@( 1@ 2 3   4 (1/2 B VII"! 00---------------$!  00$ !@ @   -----------@  H( !@( @    --------------@ @  B(!@( @! --------0#   ]00˙˙˙˙˙˙˙˙˙˙˙>([1/2II   ]@ 4@ 4@# 2@  2˙˙˙˙˙˙˙2P( !4@( 2@  `  4 `  [II!3  2]--- 4 " 3-2(    ,   !˙$4  $2 1-2 (3-4 better!)(!˙!˙!˙1-3-28   2˙˙˙˙˙˙˙0"  3-1  1 3-2(  4 p    20  ˙˙˙˙˙˙˙0 3-4(  1 3-4(  1 40   2-30   RETOURB( ( idem mesure11 ŕ(00D  (00D   @ D(!@(@ @ @ @  B! (00D! (00D   @ D(!@(@ @ @ @  B) (00D! (00     ˙˙˙˙˙˙˙:D !@  @  @  B  p(    @  D! 0   ˙˙˙˙˙˙˙4!@( @  @  $  !     ˙˙˙˙˙˙˙4"   $    ! ( $(!  (  "!!˙     B V#   @ @ @" @  P(!@( @ `  P  `  ˙˙˙˙˙˙˙>$( !  @( @  @( @  @( @  ˙˙˙˙˙˙˙B@(@  @( @  @( @  @(@ @(@  @ ˙˙˙˙˙˙˙0   ! ˙˙˙˙˙˙˙4 (   (   0   0   (   (   0   0  ˙0 8 0 ˙@x    @˙